Theoretically, you could make your own unofficial stop-motion sequels if you got all of them.
The fact that there's still an appetite for stop-motion animation in the age of CGI and increasingly cheap digital options for storytelling is surprising, if you think about it. But the work of the animation house Laika—responsible for films like Coraline, Paranorman, and The Boxtrolls—explains why that appetite exists: physical objects can touch us in ways that digital objects sometimes cannot, and the lovely work in those films explains why there's room for all different kinds of animation, even as the options for storytelling in the medium grow.
from Co.Create http://www.fastcocreate.com/3040547/the-animation-studio-behind-coraline-and-the-boxtrolls-is-auctioning-off-its-puppets?partner=rss
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